Visitors to art exhibitions usually get to see finished art works and usually have only a limited sense of the process involved in the production of art, in terms of the development of concept, theme, technique and style that goes into the production of a single work of art, and into the development of an artist’s general artistic language. In contemporary art, this process has been pushed to the forefront, and is often a defining aspect of the work itself, in ways that allow us to consider what art really is and how it is created. The question of when a work of art is finished, or if it is ever finished, also arises in this context.
The artistic process is the theme of the upcoming exhibition [un]finished, which features work by five senior students of the School of Visual Arts of the Edna Manley College – Kobi Bailey, Demar Brackenridge, Sasha-Kay Hinds, Tevin Lewis and Brad Pinnock – as well as two recent graduates – Yvad Campbell and Trishaunna Henry. These artists work in a variety of media, techniques and styles, from realist painting on canvas to a video installation, digital photo-manipulations, experimental prints, interventions into found objects, and, even, figurative sculptures made from bread and margarine. Themes and concepts vary widely but each selected work sheds light on the process of artistic creation, the importance of research and experimentation, the development of a distinctive artistic voice in the work of young artists, and the use of process as a key concept in contemporary art.
In addition, the exhibition also includes an interactive element with Nanook Founder, Joan Webley undertaking a great “art return.” The Nanook community space operated in Kingston from 2013 to 2016 and housed many artistic offerings. Among these were Iset Sankofa’s, Sankofa Sessions: live painting DJ events, where persons in attendance were given materials and invited to produce spontaneous art works in response to the “vibes” at the gatherings. The guests first painted the walls and floors, in an experimental approach to creativity and the artistic process. Later, event co-convener and Edna Manley College graduate, Matthew McCarthy introduced posterboards and the works started to increase in numbers. Some of these artists and works travelled to Europe for exhibitions in 2015 and many of the art pieces only made the final leg of the return trip to Jamaica in 2018. Nanook is now returning all these works to their creators and facilitating a discussion about the “UPTour: a journey from creation to commercialisation that went ‘unfinished’ for so long.” The selections include work by several artists who are now quite well-known, such as Taj Francis and Richard Nattoo, as well as by self-taught artists from the community and even persons who had not painted before. The Nanook community space will reopen in 2020 and this exhibition is the first rekindling of that creative community flame.
[Un]finished will be held at 132 Harbour Street, Downtown Kingston, from December 20-22, 2019., and will be open to the public from 11 am to 4 pm on each day. The artists and Joan Webley will be present on Sunday, December 22 to talk about their work and Nanook as part of the Kingston Creative Art Walk programme on that day – more details about this event, which will take place from 2 to 3 pm, will be communicated separately.
[Un]-finished is co-curated by Veerle Poupeye, Waldane Walker and Joan Webley. The exhibition is presented in association with the following sponsors and partners: Itopia Life; the Ministry of Culture, Gender, Entertainment and Sport, Tetley and Caribbean Dreams Teas; the Gleaner; the Edna Manley College of the Visual and Performing Arts; Kingston Creative; and VP Projects.
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