Two years ago, on April 28, 2018, I posted to this blog an open letter to Kei Miller (it is linked here for easy reference). The letter was written as my critical response to an essay by Kei, “The White Women and the Language of Bees”, which had been published a few days earlier in the inaugural issue of the online Pree Lit Magazine. Kei Miller’s essay caused quite a furor on social media, with sometimes heated discussions in which Kei and myself both participated, and in various other forums (Bocas Lit Fest was in progress). The controversy reached the Guardian newspaper (linked here), in which my letter to him was referenced and quoted. The essay was withdrawn from Pree Lit, at Kei’s request, and subsequently republished but in a revised from (linked here). My response was to the original version. I understand that the essay will also be published in Kei Miller’s forthcoming book of essays, as he recently announced.
Yesterday morning, Kei Miller made a long post on Facebook (which is linked here) in which he reflects on the current Black Lives Matter demonstrations and their implications in Jamaica. He also comments on the lessons he claims he learnt from the debate about his “The White Women and the Language of Bees” essay. He itemizes those “lessons” in a list of ten points. My letter and I are the subject three of those ten points, point 3, 4 and 5. Although I am, curiously, not mentioned by name, most people who read his post would have known perfectly well that he was referring to me, given the public attention my letter had received.
Under point 3 of his list, Kei accuses me of not having published his response to my blog. He writes:
3) I learnt, fortunately or unfortunately, to be less trusting. When one particular white woman living in Jamaica wrote a public letter to me, I decided to engage. No – she wasn’t at all on my side, but I don’t expect everyone to be. That is arrogance. I still appreciated the attempt at some form of dialogue. I took the time to write out a response to that public letter, but she chose not to publish it. For weeks I checked and my response just withered there on her blog, hidden, ‘waiting approval’, even though she approved other supporting comments that came after. Eventually I just gave up and never even called her out on it. I learnt from that what every writer should learn: to be careful about whose hands we put our voices in. And I’m sure I’m mixing metaphors now – but the very hands that profess they are opening a door for you, would sometimes prefer, given half a chance, to put those hands over your mouth instead – to stifle you or just shut you up.
To be absolutely clear: I am the “white woman living in Jamaica” and I would have preferred to be referenced by name, instead of being alluded to, as I had also called for him to do with the white female writers he similarly alluded to in his “Bees” essay.
Yesterday morning, when I became aware of Kei Miller’s Facebook post, I sent him the following note via FB Messenger, which speaks for itself (I have corrected one typo for the sake of clarity):
I just read what you wrote about me on Facebook, without mentioning my name although my identity must be clear to a lot of your respondents, as they would have been aware of my letter. If I would have received the response to which you make reference, I would most certainly have published it, and if you were concerned that I was trying to suppress or ignore you in any way, you knew where to find me, on Facebook and via email. I am generally speaking very easy to reach and responsive. I did not in fact receive any comments to that post — what I published are links to other publications where my letter to you was referenced. It is unfortunate that you should represent me in this manner, two years later and without any verification with me, as this matter could have been easily have been cleared up and dealt with in its time.
I am aware that Kei saw my message fairly soon after it was sent, but he has not reacted or responded to date, at least not to me. I then decided to post an earlier version of this blog post to Facebook, in which Kei was tagged. To that, too, there has been no response.